Kelly J. Beard and Adrian Koesters continue their conversation about the writing life, their experiences of faith, and the legacies of poverty and violence in this conclusion. Click Here for Part One of this conversation. * AEK: And of course, as you so movingly and astonishingly describe in your book, you take all the rules you…

Joan Gelfand describes her writing practice as a stove with all four burners firing at once. Looking at her journey thus far and the events still to come, one must agree. I picture her as a chef in a small but powerful kitchen. Burners lit, prep station lined with ingredients, dishes going in and out…

Dana Diehl: In this book, you use birds to reflect on your life. Why do you think birds have such power over you? Why do you think they illuminate your life more effectively than other animals might? Chelsea Biondolillo: Birds live on every continent. They have incredible diversity of size, shape, color, and behaviors. When…

The poet Mike Sonksen knows more about Los Ángeles than almost anyone. It began when he was a kid, his father and both grandfathers introducing him to the sprawling city by taking him on destination drives. Due to his father’s love of architecture, having, “taught me about…Frank Lloyd Write from an early age,” Sonksen “had…

Maya Sonenberg’s memoir/personal essay, After the Death of Shostakovich Père is an intermingling of family-related memories, authors that shaped her as a reader and as a writer, contemplations on grief, and how this coalesces around a sense of identity. Within four sections, Sonenberg takes a non-linear approach to examining her father’s, Jack Sonenberg’s, pivotal life…

Julián Herbert’s mother is dying from cancer in the Saltillo University Hospital. He sits by her side, keeping notes, remembering her life as a runaway and a prostitute, cataloging their family’s slow ascent into the middle class, sharing, at times, in her fever dreams. His bedside thoughts become the novel Tomb Song, a piece of…

Grief is unwelcome and, like an unwelcome guest, has a way of sticking around long after the party’s over, chairs are stacked, and the light’s turned out. Working around grief’s hidden edges, that’s what we struggle with, like breathing through glass. Paula Bomer’s exceptional new book of essays, Mystery and Mortality: Essays on the Sad,…

“What is autobiography but a story rich and impossible of completion—an intense, careful, expressive, self-interested failure? What can I say to you, therefore, that will be true, and will cast its shadow or its light over the whole body of my telling, of my being here, or who I am?” -from Winter Hours by Mary…

It’s tempting to write off Notes From My Phone* as a gimmicky attempt at memoir without fully plunging into the self-indulgence of writing about oneself. The contents of this book started as notes that Michelle Junot left to herself on her phone. At the urging of Mason Jar Press, they were shaped into a collection of…

I first met Chris Wiewiora in 2008 when he was still an undergraduate student at the University of Central Florida. I was the managing editor at The Florida Review. Chris came on as our assistant editor on work-study and quickly proved that he was one of our hardest working staff members. His work ethic and…